In my youth the beauty of poetry was blunted by the pedants who focused on structure rather than substance, attacking what the ancients honored as divine inspiration like boys dissecting a bird in search of the source of its song. One of the few blessings of the past year has been the leisure to allow me to rediscover the emotional impact of well-crafted verse. Now whenever I think of Nana I can’t but recall Macaulay’s Horatius at the Bridge:
“To every man upon this earth
Death cometh soon or late.
And how can man die better
Than facing fearful odds,
For the ashes of his fathers
And temples of his Gods.”